Concrete collection of past and future tense cast objects from an uncanny site - the House of Strawberries in Sofia, Bulgaria. The sensory experience and the layering of changing occupational history become the main motif of the project. The protagonist abstracts and resembles crucial elements (sites) of the house by turning them into possession-free, non-site objects. The materials allow presence and monumentalise the out-of-body experience of the protagonist during the recorded journey of reminiscence.
The project looks to catalyse a public debate about the occurred events and to stitch a condition of juxtaposition and collision, absence and presence, solid and void, past and future, temporary and permanent, public and private, aesthetic and historical. The politicisation of the site would be addressed through works of unbuilding and in-between spaces of absence, void and gaps between forms and objects. Working with absence would allow the protagonist to open views to the invisible and reflect both past and future into the objective present.